Cuban Pete - The Standout Review

The Standout is the latest mixtape release from C75 Live, hosted by Krumb Snatcha and featuring UK emcee Cuban Pete throughout its sprawling 16 tracks. As if independent hip-hop wasn’t raw enough, true fans and hip-hop heads may rejoice: this release has everything, with multiple servings of professionally rolled hip-hop joints combined with a multitude of vocal talents to make Cuban Pete's The Standout a decorated and glistening collaborative effort.

The album's opener is a sharp cutting signal to all the freeriders in the industry who are trying to be something they're not to sit down and take notes, as Cuban Pete and company school the wannabes to a lurid, hard-hitting B. Dvine beat. It's a tough and head-banging opening to an album full of surprises. The album doesn't let listeners off easy either, as Altered Beasts contains a spinning and scratching frenzy that kick-starts the Cuban Pete led militant track. The beat is seductive, like most the production featured throughout, and it has a cool demeanor and flow by Cuban as well as Bobby Fuego and Chief Rocka. Supa Cypha is the first of several stacked posse tracks and speaks volumes as multiple accomplished emcees pass the baton without ever dropping it. It's a seamless track that is tough on weak minds and packs on the aggressiveness. As the track fades, Krumb Snatcha takes a moment to shout out Cuban Pete before None of Y'all Better, a mixtape track by B. Dvine, and a previous entry in Dvine's Process of Illumination mixtape released in February. Its dark fantasy vibe embedded in the beat with Dvine's, Odd Thomas's, and Cuban Pete's verses set to remind wannabe rappers that they can't match their pedigree.

Project Wars is the next track, an epic 8 minute cut with 20 emcees, including but not limited to Solomon Childs, Karnage, Menace OBEZ, Ju Muny, Dasunofsam, and Young Dirty Bastard, and it flexes its muscle over the assaulting beat. Respect Mine breaks the chain of tracks that have defined The Standout mixtape thus far with an old-school feel-good vibe while City Pulse takes a transportive, almost Cannibal Ox-like turn with a funky siren-fueled swagger and smoothes out the rough cuts of The Standout's previous onslaught. Iron Winds pulls up and let's loose in this one, which leads right into a B. Dvine remix track by DJ Modesty, Dominate Breakloops, as he produces and cuts on it. It's the same team of rappers from None of Y'all Better, and the three prove their solid chemistry here. Whatever makes another funky beat altercation to listeners' ear drums and Jokers Wild gets dangerous with chilling Heath Ledger Joker samples. Ju Muny takes over with the old-school banging Heart Pain, giving a horrorcore, Gravediggaz-like vibe. Cuban Pete and Mavz also bring the heat.

Feelin So Good cuts in with yet another hip-hop stylistic choice, rocking a smooth R&B hook, and Turned On Me focusing on the hard feelings and truths that come out of betrayal. Workin' puts an asterisk on the grind that Cuban Pete's been putting in, as The Standout and C75 Live are living examples of his hard work and dedication up until this point. Tower Rich, another track released on The Process of Illumination under the alternate name Doing Me, opens with B. Dvine's verse, with CB and Cuban Pete dropping supporting lines about staying in their own lane and finding success within their own channels. The mixtape ends with the Mavz produced beat for Ju Muny's Immortal Kombat, featuring a final 11 emcee lineup. All rappers get a precious number of bars to kill the beat, and their energy is full of fire and gives The Standout a prestigious climax.

Cuban Pete's latest mixtape is a star-studded and polished example of what hip-hop can do, both musically and lyrically. It's a mixtape that is worth the repeated playthroughs and gives listeners all kinds of melodies and verses to chew on. Its cast of guests and producers elevate The Standout to a high level of hip-hop stardom, and The Standout does exactly what it's named to do.

The Standout is now available on C75 Live's Bandcamp. C75 Live is another great place to get the latest news and media for everything Cuban Pete related!

The Standout - 9.5/10

Recommended Tracks: Altered Beats, Whatever, Turned On Me

Masterpiece Crate #2: Alice In Chains - Dirt

Alice In Chains - Dirt Analysis and Review

If Nirvana created the perfect storm for grunge to come into the fold with their worldwide hit, Nevermind, then Alice In Chains took the genre a giant leap further, with their second full-length album, Dirt. Like Nirvana, Alice In Chains also came into their own after recording a gritty debut, punk-grunge album, Facelift in 1990, before the release of this grunge-metal masterpiece. Facelift displayed some true potential for the band since they produced some excellent hit songs which have just as much staying power today as some of Dirt's best songs, such as Man in the Box, Bleed the Freak, and Sea of Sorrow. These singles were also a big indicator that lead singer Layne Staley's talents were a grade above those of Kurt Cobain's, as his vocal cords could easily handle an excessively powerful release from within all the while maintaining his delicate flutter as he sang. It seemed only a matter of time then, after Nevermind, that Alice In Chains would continue to top themselves after Facelift, and they most certainly did with what is undisputedly the strongest album in the group's career.

Update: Backwords Thoughts Single OUT NOW

Update: Backwords Thoughts Single Release

The final supporting single from my debut album Crystallize, Backwords Thoughts, a revisit of my instrumental bonus track, is out now! Featuring verses by Long Island emcees B. Dvine and Thomas Coppola (both who I have reviewed in the past and Thomas who I have just recently interviewed), Backwords Thoughts is a fully-fleshed out idea with jewels of knowledge for your ears. Listen now on Bandcamp or any other streaming platform that you choose and listen to my album Crystallize on all music streaming platforms!

The Raconteurs - Help Us Stranger Review

After 11 years, the Jack White-led blues-rock band The Raconteurs finally released their follow up album to 2008's Consolers of The Lonely, Help Us Stranger, on June 21st of this year. As far as why the long wait stretched beyond a span of a decade may be due to lead guitarist Brenden Benson's solo music career, as well as the prolific post-White Stripes career of Jack White, who leads his own solo act as well as another blues-rock band, The Dead Weather. The time between both of these albums was so long that most fans were pretty certain that there might not have been another album coming, especially since the reports were unlikely as far back as 2015 that there was hardly any new material recorded at all, according to Benson in an interview with The Guardian newspaper. Finally, in 2019, The Raconteurs surprise their fans with the release of their third album, the hard-rocking, and blues-licking, Help Me Stranger.

Various Artists - The Music Of Red Dead Redemption II: (Original Soundtrack) Review

Today released an original soundtrack from the makers of the wild west, cowboy masterpiece of last year, Red Dead Redemption II. A fully alive world of the west, Red Dead was instantly hailed as an undisputed classic in modern cinematic and interactive storytelling. It's awe-inspiring immersive characters, setting, and story were brought to vivid life not only by its beautiful, picture-perfect graphics but also by its swooning music, which could quietly enhance a scene or break out in full bravado, placing any player right in the middle of a classic western film. Rockstar shows the world again that their release last year was more than just a video game, but an arresting piece of art that deserves another look this summer, in the form of RDRII's original soundtrack.

Interview: Thomas Coppola

Thomas Coppola Interview

AirdriftSignals: Hi Thomas, how are you feeling today? What are your overall feelings this year in 2019?

I'm feeling good these days. 2019 has been a great year for me so far... it's been a year of new beginnings with the name change, a new day job, and new music!

AirSig: Regarding the name change to the one you have now, what made you decide to go through with it?

I was getting confused a bunch with Christian rapper Odd Thomas, so I decided to change my name officially to Thomas Coppola. I felt like it fit since I come from an Italian family and like Francis Ford Coppola I came up making movies and videos. I think I decided to go through with it when I started getting mistaken for the Christian rapper and then started getting hate mail for not being him... it was a confusing scenario regardless so the name change is for the best.

Thomas Coppola - Dusty Review

Premium-grade production and a voice that you can chill or ride to are just a few of the many ways to classify Long Island rapper Thomas Coppola’s latest full-length album, Dusty, a tribute to his home state of New York and the legends of hip-hop who kick-started the movement.

Update: Interviews Incoming

As an ongoing attempt to bring my online publication to the next level, I will start publishing focused and unique interviews on the AirdriftSignals platform. When there are new music releases from independent artists, I will provide an opportunity for the artist to speak for the music themselves, and also give their insight into what goes on in their creative process. This will usually be accompanied by a full review of the artist's latest release that will follow up as the next entry of this publication.

Freddie Gibbs & Madlib - Bandana Review

Freddie Gibbs and Madlib - Bandana Review

Bandana, the second record of a planned trilogy by hip-hop duo MadGibbs, Freddie Gibbs and Madlib bring the heat just as expected. Not only does Bandana build upon their first album, 2014’s Piñata (my review of which can be read here), but it also delivers an impeccable flow by Freddie with m.ind a.ltering d.emented l.essons i.n b.eats to match. 

Thom Yorke - ANIMA Review

For an artist as inventive and mysterious as the lead singer and frontman of Radiohead, Thom Yorke has made a name for himself as a compelling creative force by carving out a diverse portfolio of a solo career, which has become a solid separation from the alternative rock group that made him world-renowned. His debut solo release, The Eraser in 2006, proved to the community of Radiohead fans that his work was intriguing and beautiful enough to stand on its own, and his following release, 2014’s Tomorrow’s Modern Boxes proved more of the same as an elegant, but mellow sophomore effort. Not only was Thom interested in his solo work, but he ended up forming his own side act out of his lineup who toured in support of The Eraser, which took the name after his track in that album, Atoms For Peace. They released their own album, AMOK, a year prior to Tomorrow’s Modern Boxes. Last year, Thom Yorke surprised his fans yet again with his first stab at film composing, with the horror remake Suspiria’s original score (my review of which you can read here), following in the footsteps of his bandmate Johnny Greenwood’s multiple film score outings, and reaffirming to the musical community that Radiohead’s music, as well as the work of the singular bandmates, is essentially designed and paired astonishingly well to visual storytelling. Now, just a half a year since his film score debut, Thom drops another sonic work of brilliance in the form of his third solo album, ANIMA. Besides being an extremely busy creative force, releasing albums on his own, with Radiohead, and his first film score, ANIMA shows listeners that Thom is far from slowing down. On the contrary, his musical journey only seems to expand even more with age, and this latest work of the imagination and dreams displays his masterful musical experimentation with grace and fluidity.