Nine Inch Nails - Bad Witch & the EP trilogy Review

Nine Inch Nails - Bad Witch and the EP trilogy Review

Prelude

After Nine Inch Nails's last studio album, 2013's Hesitation Marks, underpinning an even more polished and poised electronic-industrial Trent Reznor, expectations were reasonably high for his eventual follow-up album. However, Reznor had been neck deep in scoring feature films and television shows with multiple time collaborator and director David Fincher, and the eye-opening documentaries Before The Flood and The Vietnam War, essentially fulfilling his lifelong dream of writing musical scores for films, and winning a Grammy while at it. No one could blame Reznor for being so ambitious, but it seemed almost impossible to imagine how he could fit Nine Inch Nails into such a tight schedule. Nevertheless, Reznor announced that 2016 would see new NIN material, and so anticipation ramped up. That same year, Reznor's longtime collaborator, Atticus Ross, was announced as the first official member to join Nine Inch Nails (Reznor would always use repeated and dedicated touring musicians to help him fully realize his primarily solo musical visions on stage). During the final month of the year, Reznor and Ross made good on their promise, finally announcing Not The Actual Events, the first EP in a series of three planned releases to comprise of an EP trilogy to be released right before the end of the year. Although this is a review of their final release of the three, Bad Witch, this is also a retrospective look at all three releases, and how the trilogy fits together as a whole, starting with Not The Actual Events.

Seun Kuti & Egypt 80 - Black Times Review

Seun Kuti and Egypt 80 - Black Times Review

As a fan of the always captivating genre of Afrobeat (African funk, soul, and jazz) and the legendary leader of the social-musical-political movement in said genre, Fela Kuti, I was delighted to learn that his music has lived on in his two musical sons, Femi, and Seun, Kuti. As I confess to not being fully aware of these brothers' catalogues since I was always obsessively digging into Fela's discography, I was filled with joy and wonderment to listen to Seun's brand new 2018 album, Black Times, released in the beginning of March, and notably felt stunned when listening to the uncanny continuation of Fela's legacy. Seun continues to carry the torch with Fela's original live band, Egypt 80, formally known as Nigeria '70, then Africa '70, in what can only be described as a bombastic celebration of revolution and humanity personified through Afrobeat music.

Anywhere - Anywhere II Review

As a fan of experimental and psychedelic rock, and of bands that push boundaries beyond what is normally accepted such as The Mars Volta, I was extremely pleased to discover that their frontman, Cedric Bixler-Zavala, became involved in a new project, including former musicians from grunge rock bands Nirvana and The Melvins, a band called Anywhere in 2012. Listening to their exclusive record store day limited pressing of their debut self-titled album, Anywhere sounded like a mix between tribal music, world, progressive rock, and transcendentalism, with Eastern European musical influences and a feeling like they travelled to the top of a Tibetan retreat to channel their music. Maybe it's this eclectic mix that gave them their name, as it sounds like the music itself originates from a multitude of places.

A Perfect Circle - Eat The Elephant Review

Almost a decade and a half has passed since the last release of a full-length proper studio album by A Perfect Circle, not counting their anti-war cover album eMotive, released in late 2004. One might ask themselves then, if too much time has transpired to give reason for releasing a third studio album, given A Perfect Circle's short timetable in the first place. It's this and other concerns which give Eat The Elephant a lukewarm return for the band, for it functions as a welcome back album that covers time-tested familiar ground, but also chooses to deviate, sometimes heavily, into newer, uncertain waters.

Jack White - Boarding House Reach Review

For someone as prolific and steeped in as rich a musical history as is Jack White, expectations were sky high for the follow-up to his much acclaimed sophomore solo outing, Lazaretto. Already bending the rules in genres such as garage rock, blues rock, and country, there seemed to be a bar set almost too high by White after proving he could have a solo career that is just as, if not more, successful than his time spent fronting The White Stripes. That's why it came as such a surprise when 4 years later, White came out of the studio with an album that surely tops Lazaretto with even more experimentation and a vision that is inclusive to all genres of music: Boarding House Reach. To classify this album is to describe it as a garage-blues-country-funk-electronic-jazz hybrid with sprinklings of hip-hop and stream-of-conscience absurdity, something which I never expected to see combined all in one record by Jack White. There was however, a hint dropped early before BHR's announcement that signaled White's departure from traditional blues and garage rock anthems toward a more experimental and jam rock approach in the release of his non-album single "Battle Cry", in 2017. This single builds into White's traditional heavy, fuzzed-out guitar riffs from the tribal chanting and clapping, and it sounds like it's a next step in evolution from his instrumental wild card, "High Ball Stepper", in Lazaretto. When looking at "Battle Cry" as a bridge for listeners to take to Boarding House Reach, this new record should feel like just the right follow-up from someone who has never stopped growing musically.

B Dvine & Various Artists - Dvine Intervention Review

B Dvine and Various Artists - Dvine Intervention Review

Dvine Intervention, the hotly anticipated mixtape by Long Island resident and beat conductor, B Dvine, is an extraordinary collection of collaborations for hip-hop heads everywhere. Dvine's first exclusively produced hip-hop mixtape is hosted by mixtape curator J-Love, and features collaborators such as Prolifik, Vital, Meyhem Lauren, D-Rugz, and J-Love himself. It’s been a long time coming for listeners and fans to be graced with something as completely Dvine as this mixtape package B has put together. From D-Rugz and Timbo King’s jazzy “The Message” to J-Love’s badass “Fan The Fire” to Vital’s “Smoke Good” with Dvine’s lo-fi guerilla beat, there are sure to be a number of favorites for any listener.

Jahan Nostra - ESP Review

When it comes to intelligent, forward-thinking and eclectic hip-hop, the name Jahan Nostra as one of the more prominent emcees with this title becomes a no-brainer. Jahan, having been writing verses and slaying beats since he was a teenager, has already made a name for himself with a number of professional grade albums and releases. From releasing 2012's Bedtime Street album, and after releasing 2013's Sleepwalking LP, Jahan has made moves in directions both up and down the East Coast, touring in locations such as Newport and Providence Rhode Island, Brooklyn and New York City, and Greenville and Columbia in South Carolina. Now in 2016, ESP marks one of Jahan's greatest achievements in hip-hop storytelling and songwriting.

Lots of Changes and Content - Blog Updates!!!

Blog Updates

What's up drifters!!? There have been so many changes to DJ Dark Flow and "Adrift In The Airwaves" since my last post on Airdrift Signals a year and a half ago. (:

Since slowing down posting music reviews after securing a full time job in 2012 (all my music reviews for Surviving The Golden Age can be viewed here), I have made myself a weekly 4 hour time slot on WPKN 89.5FM in Bridgeport, Connecticut. Every week, I feature independent and local artists, either through their music, or as live in-studio guests or callers, mixing experimental electronic music, dance music, hip-hop, and psychedelic rock infused with abstract reggae and world styles. 

The Nomad - Perilous Times Review

For years, Daimon Schwalger, aka The Nomad, has been producing electronic sounds, masterfully mixing elements of dubstep, reggae, drum and bass and electronic music. His unique sounds continue on his sixth LP, Perilous Times, which features a foray of electronic beats spanning many genres that all feel related, and a multitude of singers to give every song a fresh face. The Nomad proves to listeners that they should not expect to hear the same thing twice, as his tracks all bring something new to the table. The dark funky lull of the opening track, “Give Some Love,” resonates with a neo-disco soul similar to electronic dance artist TV On The Radio. The reggae melody that races through “Run Through These Streets” takes surprising twists and turns as Vida-Sunshyne sings, “These are really perilous times.”

Georgia Anne Muldrow - Seeds Review

From here on out, music reviews that I post on my blog will be a combination of reviews I have written for Surviving The Golden Age and reviews I have commissioned on my own time. For now we have Georgia Anne Muldrow.

In r&b and soul music, nothing has made a bigger splash in recent years than Georgia Anne Muldrow’s new full-length album, Seeds. Produced by hip-hop beat wizard Madlib, Muldrow channels her inner soul and life purpose for the psychedelic array of samples and textures that pass through each track.